Writing As a Waking Dream

I very much identified with this post as the way I write–and how feel about interruptions! A very interesting take from Adam at Write Thoughts.


Writing as a Waking Dream #AuthorToolboxBlogHop

How many here have struggled to “return to their story”? You sit at your table, pen in hand or fingers on the keyboard, but you’re not “ready” to write yet. You don’t “feel” the characters, or their world.

So you review what you’ve written; you do some random low pressure writing exercise, or maybe you just start “babbling” into your medium, and slowly, you feel yourself “returning to that world”. You can “feel” the characters, and “see” their world. Then something snaps you back. Someone has opened the door, walked into the room, and asked you a question, and just like that you’re “awake”. And part of you realizes there’s no quick route back to that “other place”…

Continue reading: https://writet.blog/2018/06/19/writing-as-a-waking-dream-authortoolboxbloghop/

 

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What Makes Effective Christian Fiction…And What Doesn’t?

In this article, Lee Duigon discusses what makes effective Christian-based fiction by way of a book review of the Chronicles of the Nephilium by Brian Godawa. Even if you don’t know the book, this is a very well-written article worth taking a look at–particularly if you read and/or write Christian fiction. It was published in Chalcedon’s online magazine. You can find out more about Lee Duigon and check out his book series, Bell Mountain, through his personal website and blog.


A Review of Chronicles of the Nephilim by Brian Godawa by Lee Duigon

Who doesn’t want to know more about those “giants in the earth”—Nephilim in Hebrew?

I couldn’t wait to read these books. Biblical mysteries elucidated! The bare-bones narrative of Genesis fleshed out! What really happened in that age before the Flood? It’s quite a draw.

And what a disappointment, when I finally read them.

But first I read the appendices attached to each book. These were fascinating, compelling. Delving deeply into Biblical and extra-Biblical scholarship, Godawa relocates Genesis into its original historical and cultural context, that of the Ancient Near East: Sumerians, Babylonians, Canaanites, and how ancient Israel itself was influenced by these neighboring civilizations.

This led him to make an intriguing argument that there are other spiritual beings, angels, some good and some evil, some subordinate to God, Yahweh Elohim, but others in rebellion against Him; and that these rebel entities came down to earth and set themselves up as false gods, worshiped by the heathen nations; that these beings sought to control human history; and that they interbred with mortal women, producing a race of giants and assorted abominations.

He supports his argument with both Scripture and other ancient sources, such as the non-canonical Book of Enoch, Jewish tradition, and non-Jewish mythology. I have not the scholarship to debate his conclusions.

But whatever the value of the scholarship behind them, I cannot endorse these novels.

A Movie in Your Mind

Godawa is a Hollywood screenwriter by profession. His work is in the movies, he thinks in terms of movies, and he writes his novels hoping that his readers will experience them as a kind of movie in the mind.

What he does is string one movie cliché after another. He’s got them all: wise-cracking heroes getting off zingers as they march into mortal danger, like any pair of cops in a buddy movie; beautiful young women who are really good at martial arts; rapid shifts from one scene to another, action-movie style; sneering villains who are only one short step removed from snarling “Curses, foiled again!” My impression was of a comic book without pictures. Godawa prefers to think of his novels as movies without film. Maybe it would be fair to liken them to movies based on comic books.

And of course, as in any movie pitched to eleven-year-olds, these novels feature endless slangy, smart-alecky dialogue. What is the point of having characters that are supposed to be immortal spiritual beings, or great heroes of the Bible, if they’re just going to talk like a twenty-first century screenwriter thinks teenagers talk?

Really—it just seems wrong for archangels to say things like “We saved your rear ends.”

Literary Offenses

Two more literary offenses must be noted here.

These books present a bad case of “adjectivitis”—way too many adjectives burden the text, most of them unnecessary. There is no need for the author to editorialize about his villains. What they say and do establishes them as the bad guys. There is no need to label them, repeatedly, as “diabolical” or “sadistic.” Not when they’re always shown doing diabolical or sadistic things.

Worse, Godawa puts into the mouths of rebel angels, immortal beings living centuries before the Flood, actual quotations from present-day leaders of the Democratic Party. To list just a few examples, with their original speakers:

“Hope and change” (Barack Obama)

“Fundamental transformation” (Obama)

“I feel your pain” (Bill Clinton)

“It depends on what ‘is’ is” (Bill Clinton)

“You didn’t build that” (Obama quoting Elizabeth Warren)

In addition to verbatim quotations from the twenty-first century, Godawa’s wicked spiritual entities also spout modern catch-phrases of feminism, “gay rights,” “animal rights,” and accuse God of such modern trespasses as colonialism, imperialism, sexism, and being “macho.” As a reader I found this very hard to bear.

Godawa says (in an email to me: I thank him for taking the time for it) that he has done this to demonstrate that wickedness, tyranny, and flimflam have always been with us, they originate from spiritual wickedness, and they haven’t changed. To use current political leaders’ quotes, he says, is to demonstrate that the same sins that afflict us today afflicted us before the Flood.

Fair enough. You can make that argument. But maybe Godawa doubts the readers’ ability to come to the desired conclusion unless he makes things thunderingly obvious.

Elsewhere he himself has written, “Christian movies, though well-intentioned and sincere, often suffer from heavy-handedness in their desire to convert the unbeliever through art.” And he adds, “Which is more to be avoided: a pagan movie that rings true, or ‘Christian’ propaganda that rings false?”1

Physician, heal thyself.

Why Does It Matter?

I’ve taken time to discuss these literary faults because I think it’s important.

Why?…..

Continue reading: https://chalcedon.edu/magazine/a-review-of-chronicles-of-the-nephilim-by-brian-godawa

 

If There Was a Board Game About Life as an Author #MondayBlogs #BoardGames #WritersLife

I found this post very amusing, particularly since I’m at the getting-ready-to-publish end of the author cycle once again. It would be fun to take my kids Life game and change it according to Lucy’s vision, but somehow I think that would be frowned upon. 🙂


One of my favourite board games is The Game of Life’ by HasbroYou spin the wheel and start down the road of life in your little plastic car, taking exams, getting a job, making money, getting married, having babies, acquiring pets, losing money and going on adventures.

The other day, whilst playing ‘The Game of Life’ with one of my children I had the idea of a ‘Game of Life’board game version for authors.

Nearly everyone nowadays wants to be an author so this unique game would make you feel like an author, without doing the hard bit – writing a book. It could be called ‘The Game of Author Life’. 

In the ‘Game of Life’ your plastic car counter has little holes for your husband, wife, children and pets.

In the ‘Game of Author Life’ you would have little holes for your literary agent and your publisher if you decide to go traditional. If you decide to go self published, you would have little holes for your editor and book cover designer.

You would spin the wheel and start down the road towards publication. *Sigh*

Keep reading at the source:  If There Was a Board Game About Life as an Author #MondayBlogs #BoardGames #WritersLife

Character Actions: Should There Be a Reason Why? by Andrea Lundgren

Characters do all kinds of things in fiction. Their actions make up the stories we write, and if they did nothing…it’d be pretty boring.

But how much motivation should there be in what they do? Do you, as the author, need to always know why they’re doing it, or can they just “do something for doing it”?

Let’s take a look at a scene and see how it works.

She walked over to the glass. On the other side was a habitat, all sand and rocks with only a few scaly plants, the surface of their stems mirroring that of the creature who should’ve been inside.

Slowly, she touched the glass. Her hand stayed there for a long moment, not moving, in firm but gentle contact against the clear silica-based partition until it slowly began to warm to her touch.

Then she backed away.

Now, we, as readers, don’t need to know why she touched the glass at this point in the story. It can be something we’re left to speculate about, wondering if she misses the creature or if she is trying to see whether, perhaps, it’s still hiding somewhere in there. Or we could later learn that she touches the glass out of solidarity with the creature, feeling like her own life is encased in glass and she longs to break free, to escape like the lizard or snake did.

Keep reading via Character Actions: Should There Be a Reason Why?

World Building: Creating a Mountain Setting

World building is a lot of fun for me as a writer. It is also important to readers, since a well or poorly written world can make or break a book. I found this post especially interesting, maybe because Ancient Voices takes place entirely in a mountain village. Mine is more an alpine setting, but there are many different types of ranges and associated cultures. Take a look at this article posted on the Mythcreants blog–it’s a good one!


Creating a Mountain Setting

Of all the possibilities for building worlds, the same few types appear over and over again: desert worlds, grasslands, globe-encompassing seas. Despite being passed over, mountainous biomes, whether old and eroded like the Blue Ridge range or “new” and towering like the Himalayas, have a lot to offer. So what makes a makes a mountainous region unique for worldbuilding? What kind of people live there and what kind of environments do they inhabit?
Click to read the rest on the Mythcreants blog

Great News for Indie Authors!

It’s always good to get encouraging news when you’re an indie author, and I found a whole lot of encouragement in this article so I thought I’d pass it on. Not all that long ago there was a huge stigma associated with self-publishing, but not so much any more. Hard work and perseverance does pay off! Special thanks goes to all you readers out there who are helping to change the trends. It wouldn’t be happening without your support.


Traditional publishers’ ebook sales drop as indie authors and Amazon take off – By Frank Catalano (published in GeekWire)

 

Ebook sales are dying. Ebooks are insanely popular. If the short definition of cognitive dissonance is holding two contradictory ideas to be true, ebooks are about as dissonant as digital content gets.

Yet ebooks may also represent a chapter in the still-being-written story of how keeping track of what’s happening with content hasn’t always kept pace with the technology that’s transformed it.

Let’s start with the bad news. Two new sets of numbers covering 2017 show ebook sales are on the decline, both in terms of unit and dollar sales.

The first, released in April by market research firm NPD’s PubTrack Digital, saw the unit sales of ebooks fall 10 percent in 2017 compared to 2016. In absolute numbers, that meant the roughly 450 publishers represented saw ebook sales drop from 180 million units to 162 million over a year’s time.

The second, just released by the American Association of Publishers, reported a decline in overall revenue for ebooks, a year-to-year decrease of 4.7 percent in 2017. AAP tracks sales data from more than 1,200 publishers.

This ebook decline occurred in an overall publisher revenue environment that AAP said was essentially flat in 2017. So some other kinds of book formats that AAP watches, like hardback books, went up as ebooks went down. For its part, NPD says when combining print and ebook unit sales, ebooks’ percentage of the total dropped from 21 percent in 2016 to 19 percent in 2017.

It turns out this downward ebook trend isn’t new. It may actually be an improvement, of sorts. “The pace of ebook decline appears to be cooling,” AAP’s Marisa Bluestone said, noting 2017’s drop was, “significantly less than the double-digit declines experienced in 2015 and 2016.”

Among the categories showing a decline in both NPD’s and AAP’s figures were kids’ ebooks. Children’s ebooks had the most dramatic decline in unit sales, and children’s/young adult ebooks have suffered double-digital revenue drops every since year 2015.

And yet, NPD reports, even though it’s also declining, adult fiction remains the most popular ebook category, with 44 percent of all adult fiction sales in digital form.

On the surface it would seem like all of this is going to come as a surprise to boosters who thought ebooks would replace traditional paper book publishing completely.

But there are three key words to keep in mind: “traditional book publishing.” And that’s the good ebook news. Because the very same technology that allowed traditional publishers to create and sell ebooks also allowed authors to do the same — directly to readers.

NPD and AAP don’t measure those indie sales. Centralized reporting of direct-from-author sales is tougher to come by, but by all anecdotal measures the independent market has taken off, notably in the also-still-large category of adult fiction.

Click to read the rest of this “good ebook news” on GeekWire

 

Here’s a Fun Trick to Make Your Writing Time More Fulfilling (and More Productive)

As a writer who has done a fair share of gaming over the years, I can totally relate to this post! Gaming analogies aside, the points made are excellent ones, and I have successfully used them all, so even if you don’t play video games, keep reading anyway. 🙂 (Shared from Don Massenzio’s blog)

Novelty Revisions

What do you do to motivate yourself to write when you don’t “feel like it”?

Chances are, you found this blog not because you have an answer to this question personally, but because you’re desperate for someone else to give you one.

I never claim to have all the answers. Everyone’s writing experience is different, so any advice I give may or may not apply to everyone in the same way, or at all.

But what I can do is tell you what works for me. And that’s turning work into a game.

It’s time to level up your writing. It’s time to play a new game, and embark on the path to “winning.”

First, you have to know the endgame. Every game has an end goal, or a point in which you know you’re about to reach the finish line. What is your personal endgame? Where do you want…

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