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It’s Time to Say Goodbye

This last year working with Joshua and Allison on this newsletter has been great, but things are picking up in our writing careers, and unfortunately, we no longer have time to keep up with this newsletter.

It doesn’t have to be goodbye though…

Allison, Joshua and I have our own newsletters where you can keep tabs on us, and we all love hearing from you.

Joshua and I will be adding you all to our newsletters automatically, and of course if you don’t want to remain on those lists you can always unsubscribe. You’ll have to subscribe to Allison’s newsletter if you’d like to keep following her, however. You can do that here.

I’ll also be keeping the Weekly Fantasy Fix blog going, and you can still follow on Twitter.

Thank you for all your support over the last year!

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Who am i?

For the indie author, this is a frequent and persistent question, especially at first. There isn’t a publisher to tell us, “you fit here and this is where we’re marketing you.” So we have to figure it out on or own, and it isn’t always easy. We end up going through this existential crisis of a sort; what did I just write, and where does it belong? Where do I belong as an author? Sometimes we get too caught up in worrying about where readers think we belong, and we get dragged down all sorts of dead end paths trying to market to every potential reader, in every dark corner of the universe. It can be exhausting, deplete our limited resources, and still get us nowhere.

And it’s no wonder we’re confused—some genres, like fantasy, are so huge it’s easy to get lost. When you search for fantasy books on Amazon, you get 739,684 returns! Who could possibly search through all of that for a new book to read? It’s completely overwhelming. Renee’s March 4th article talked about how the fantasy genre has now been split up into many different sub-genres, presenting both benefits and challenges for everyone. For the writer, it can make that existential question where do I belong even harder to answer, particularly if our work fits equally well into more than a couple of categories. But it can also help us finally settle in someplace—find a cozy corner to call home, where we can quietly build up a loyal fan base and gradually expand from there. It sure beats drifting around the book marketing universe like a hobo, holding out our collection cups to anyone who passes by, hoping for some reader to take pity on the poor indie author.

And that’s pretty much what we do as new, inexperienced authors. We chase after every new marketing gimmick, trying to imitate the top sellers without having any understanding of the huge amount of plodding groundwork it took to get them there. We try to copy the mechanics of their journey in the hopes it will take us along the exact same road, instead of going through that painful existential process of figuring out who we are, and forging our own path. We read all the author self-help books written by people who claim if you just follow steps A-Z you’ll become just as successful as they are. But no two authors are alike, and no two journeys are either. They might offer good advice, but we need to take it with the understanding that it will most likely work differently for us, and that’s OK. Eventually we all grow tired of chasing the wind and come to realize our biggest successes have come about when we’ve just been our truest selves.

It took me a few years, but I think I’m finally settling into my small corner of the indie book world. It’s actually pretty comfortable—not particularly flashy or high profile, but it suits me. Readers are finding me, and my book sales are slowly but steadily growing. When I first published in 2011, I couldn’t imagine the place I’m at right now. Humble as it is, it seemed so far out of reach. Since then I’ve had plenty of dreams to keep me working hard, and those dreams grow every day. I hope that in another 5 years, I’ll be able to look back and say, “I couldn’t imagine this place I’m in right now—and I’m so glad I’m here. What’s next?”

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Inciting Moment–What It Is and Why You Should Care by Andrea Lundgren

Recently, I was explaining the concept of an inciting moment to my five-year-old (he’s a bit young, but one might as well start early, right?), and it got me thinking about how critical the concept is.

Some writers may call it an inciting incident, and others have probably never heard of it, including the idea without any formal title or understanding of how it works, but the inciting moment is what happens to make the world of the story change. One of the many rocks dropped in the story-pond that set off a series of ripples. It’s the spark that jolts the story to life.

Once you figure out your inciting moment, you more or less have the story running away by itself as the chain of events keeps going…

Click to keep reading: Inciting Moment–What It Is and Why You Should Care

 

The Seven Deadly Sins of Prologues by Kristen Lamb

If you’ve read my Wind Rider Chronicles series, you know I’m guilty of prologues. Hopefully I am using them well, and not committing any of the deadly sins mentioned in this article.  How about you? Are you generally for or against them? Do you always read the prologue, or do you skip right past it?


We writers have a vast array of tools at our disposal to craft stories readers will love. But like any tool, it helps if we know how to use it properly. Theme is wonderful. It can keep us plunging a story’s depths for years when used correctly. Applied incorrectly? It just makes a story annoying and preachy.

Description! Love me some description! But pile on too much and we can render a story unreadable.

The same can be said of prologues. Now, before we get into this, I want to make it clear that certain genres lend themselves to prologues. But even then, we are wise to make sure the prologue is serving the story.

So, to prologue or not to prologue? That is the question.

The problem with the prologue is it has kind of gotten a bad rap over the years, especially with agents. They generally hate them. Why? In my opinion, it is because far too many writers don’t use prologues properly and that, in itself, has created its own problem.

Because of the steady misuse of prologues, many readers skip them. Thus, the question of whether or not the prologue is even considered the beginning of your novel can become a gray area if the reader just thumbs pages until she sees Chapter One.

So without further ado…

The Seven Deadly Sins of Prologues—What Doesn’t Work and What Does

 

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Dark Clouds are Gathering. Can you Weather the Storm?

Some pretty ugly weather rolled across the U.S. yesterday and overnight. We caught some of it where I live, though other parts of the country fared much worse. Bright flashes of lighting filled our living room, and great cracks and booms shook the house. You couldn’t see the rain in the pitch dark outside, but you could hear it beating against the siding and roof. The weather alerts were sounding from my phone every 5 minutes, sending my anxiety levels up a few notches each time, and my 6-year-old was squeezing the life out of my arm as we sat on the couch together. We live in a modern, sturdy house—something book characters don’t always have, particularly those living in a medieval or other historical-type era where the weather’s benevolence is crucial to survival.

As I sat there in a comfortable well-lit room, with the lull of the T.V. to distract me from the tempest outside, I was reminded how weather can play a significant role in a story, or even become a character in itself.  It can set the mood for a single scene, or shape the entire plot.  Weather can grow crops, or destroy them, it can fill sails or sink ships, level homes, and flood streets.  Its temperature extremes are sometimes deadly.  Long periods of unchanging weather can affect the mental states of those subject to its effects. For those characters out on the road, the weather can give them an easy-going, pleasant journey or an uncomfortable, and even dangerous one. If a fictional society is largely agrarian, bad weather has the power to completely destroy it—no armies needed—by bringing about starvation and sickness.  In a time before radar and weather apps, sudden changes in weather would no doubt have been mysterious and alarming to the average person. By the time they knew bad weather was coming, there wasn’t much time to prepare.

Do you have a favorite book in which weather plays a significant role? If you’re a writer, how do you handle weather in your own stories? Is it something that just lurks in the background, rarely seen, or are your characters keenly aware of its impact on daily life? Have you ever written a story in which the weather actually took on the role of a character?

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HOw I feel when I’m creating the villain

Good authors like to get into their character’s heads when they’re writing, much like an actor does when portraying a character on the stage or screen. It’s the best way to make your characters seem real and behave spontaneously rather than assuming what they’d do next. But what happens when an author gets into the head of their villains?

I’ve always had a bit of a warped imagination. You’d have to, to write about torture and other such horrors. When I started writing Shadow Stalker, I wanted a villain that wasn’t just evil. I wanted him to be completely psychotic, but not just for the sake of being psychotic. There had to be a purpose to it (which hasn’t come out in the story yet, so I won’t mention it here).

I’m not a psychotic person, though. I’m sure I’d have been locked away by now if I was. So getting into his head and trying to think like he would has been rather difficult. Since the story is written from the main character’s POV, I didn’t have to write for him much, but he is the emperor of a society he built from the ground up. His mentality had to show in the “world” he created around him. So in that sense, I still had to get into his head.

His psychosis is a mix of what he was born with and his experiences growing up or at least how he viewed his experiences as a deranged man. So I had to first do a bit of research to find out how a psychotic person might view the world. Then I had to put myself in his shoes.

For a while, I could see the world as someone like that would see it, and it was a bit startling. It gave me nightmares. I have to say I was a bit tame when I started writing the story. The things that went through my head were much too horrific to share with my readers. At least to start with. I didn’t want to scare people away.

Drevin is definitely an interesting character though, and one of these days, when I’m brave enough, I might write a short story or novella from his point of view. I think some of my readers would probably enjoy something like that… maybe…


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